The brand’s creative director, Alessandro Michele, expertly recreated scenes from the legendary director’s work. Gideon Ponte is a well-known production and set designer who has worked on films such as: buffalo 66 When american psychothe Gucci film includes an exact costume replica by Milena Canonero, Kubrick’s longtime collaborator, alongside Charlotte Walter.

“I was going to put the collection in an iconic Kubrick scene. My clothes exist organically in Kubrick’s world but at the same time feel completely alien. It’s my tribute to one of them,” Michele told Vogue.

since the release of his first film 2001: A Space Odyssey In 1968, Stanley Kubrick’s influence on culture was boundless. From music to fashion to art to interiors, the director’s work spans both generations and continents.

Alessandro Michele may be the latest fashion designer to pull out of Kubrick’s world, but he wasn’t the first. In fact, for decades, designers have used Stanley Kubrick as a reference point for fashion collections, his designs for sets, and runway soundtracks. Below are some of the key moments fashion paid homage to Kubrick.

Alexander McQueen, “The Overlook” ready-to-wear AW99

What Alexander McQueen based the AW99 collection on Shining It wasn’t the first time designers had mentioned horror.A Jack the Ripper story or a cult-his vampire movie? Hanger, the disturbing images of Joel Peter Witkin, or the real horrors of 18th-century warfare. McQueen liked to bring the spooky to the fore.

This particular collection (named Shining Abandoned “Overlook” Hotel), McQueen turned the runway into the snow maze featured in the film’s finale. doing.

McQueen also mentioned Kubrick in the Spring/Summer 2007 show, Sarabande (named after his foundation).Even if Barry Lyndon (1975)the collection notes also mentioned Goya and Marchesa Casati as references.

Jean Paul Gaultier & Madonna, Blonde Ambition Tour, 1990

When we think of Jean-Paul Gaultier’s (now iconic) outfit for Madonna’s 1990 Blonde Ambition tour, naturally our minds first go to Kornbra. , combined with braces, a bowler hat and a cane, Gaultier’s reference point is undoubtedly A Clockwork Orange (1972).

Plus, this summer, Gaultier gave Alessandro Michele a prize for being the fashion world’s favorite movie fan. An exhibition based on the films that have most influenced his life and career. “Cinema and Fashion” at Madrid’s Caixa Forum reinterpreted the infamous bowler hat and overalls. With a JPG/Madonna twist, of course.

Moschino, ready-to-wear AW22

At last season’s Milan Fashion Week, Jeremy Scott turned the Moschino show into a Kubrick scene, referencing the director’s early films. 2001: A Space Odyssey (1968). The sets were replicas of what Kubrick called “a French provincial hotel room”, and the clothing was a fusion of household items such as lamps, vases, trays and clocks. I’m explaining. “It’s like being in a cage in space”.

Surprisingly, the original costume designer for the 1968 film was Hardy Amys. Hardy Amys is best known for classic tailoring and was a favorite designer of Queen Elizabeth II.

Louis Vuitton Fall Winter 2020 ready-to-wear

Under creative director Nicolas Ghesquière, in 2020 (when the world was about to plunge into a different sci-fi horror, covid), Louis Vuitton’s Paris Fashion Week closing show turned to Stanley Kubrick’s work It was an ode to Milena Canonero was brought into a collection collaboration with Ghesquière (much like Gucci today). The pair worked together to develop a futuristic-inspired piece of clothing that doesn’t resemble a dystopian one. A Clockwork Orange (1972).

CALVIN KLEIN 205W39NYC ready-to-wear SS18

Raf Simons’ time at Calvin Klein may have been brief, but it sure was sweet. On her SS18 show in 2017, Simmons paid tribute to her love of American cinema. His clothes surpass Kubrick, carry When easy riderBut this set (featuring an installation by longtime collaborator Sterling Ruby) Shiningwhich contains the axes.